Peeta Mellark (
victorbychance) wrote in
lucetilogs2012-05-03 06:58 pm
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I've cost you a lot of trouble.
Who: Peeta Mellark, Adele LeBlanc, Hiccup Haddock, Sabriel, Helios Sprensonne, Katniss Everdeen, and probably Rue.
What: Peeta arrives in Luceti and gives everyone the wrong impression.
When: Evening of May 3rd.
Where: The Barracks and around it.
Summary: A second ago, Peeta was entering the arena. Now, he believes he's there already.
Rating: Let's say R for violence. Blood does make it an R-rating automatically, right? Won't be too bad, though. More like PG-13. Or something. There's a reason I don't do this professionally. More than one reason.
Portia stands with hands at her sides, a muscle in her jaw working to keep her face even despite the moisture already glinting in her eyes. Peeta, in his last moment outside the arena, touches his fingertips to the soundproof glass of the tube. In a fit of sentimentality, Portia touches her own fingertips to her lips and sends the kiss his way.
With three fingers.
Peeta has exactly enough time to see the color drain from his reflection’s face before he begins to rise.
Between the dressing room and the pedestal, there’s a brief moment of utter blackness. Peeta has, both times he has been a tribute, resolved never to close his eyes going into the arena. But that moment of blackness comes, when the only light is that being blocked by the platform he’s standing on, and the next time he sees light, he’s not standing on a pedestal, but lying down on a cold floor without knowing he ever went horizontal.
It takes him a moment to get his bearings. Did I pass out? he asks the ceiling. The ceiling does not give any clues. Peeta sits up, and wonders for a moment if he is inside the Cornucopia, dragged there for his own safety after being clocked on the head during the bloodbath. But if that were the case, whoever cared so much for his life wouldn’t have left him. Not unless they were already dead. And shouldn't he have an enormous headache? Besides, there’s a door, and the Cornucopia doesn’t have a door. It’s also, well, cornucopia-shaped, whereas this building is as rectangular as they come. Still, maybe it’s different this year. The weapons hanging on the walls would certainly indicate a temporary residence in the Cornucopia.
His old instincts take over and urge him to make haste. First goal: arm yourself. Second goal: find Katniss. He doesn’t note his half-nakedness until he tries strapping a knife to his belt. One of the other tributes must have stolen his clothes while he was out. Smart. He carefully examines the knife, keeping one eye on not only the door, but the shadows of the room. Anything could come out of those.
The knives look normal. He sniffs, making sure there’s no toxin on them that can absorb through the skin. Quickly, he chooses one, unsheathes it, and slowly approaches the door. When he cracks it open, he sees cobblestone streets being walked by people.
People. Streets.
The Gamemakers are sick. Setting the Quarter Quell in a town, with innocents being caught in the crossfire. Is this a way to create obstacles for the tributes who care about sparing lives? The Careers will take advantage of that.
As one person walks by, Peeta glimpses something that makes his eyes go wide. Wings. Another weird Capitol fashion, maybe, except that everyone has these things. Some of the people outside don’t even look like people.
Mutts. All of them mutts, maybe made to look like terrifying monsters, maybe made to look like someone you love. And there are lots of them. He can’t possibly fight his way past that many, not when he’s as exposed as he is. He has to wait till this street is clear, then sneak out and find Katniss—if she’s still alive. He ducks behind the door, eyes squeezed shut, trying to breathe slowly and quietly in spite of his hammering heart.
The person passes. Everyone else seems to linger in the distance. Peeta slips out, knife in hand. The moment the door is closed and he starts in the opposite direction of the crowd, he nearly runs right into the arms of a thin French woman.
What: Peeta arrives in Luceti and gives everyone the wrong impression.
When: Evening of May 3rd.
Where: The Barracks and around it.
Summary: A second ago, Peeta was entering the arena. Now, he believes he's there already.
Rating: Let's say R for violence. Blood does make it an R-rating automatically, right? Won't be too bad, though. More like PG-13. Or something. There's a reason I don't do this professionally. More than one reason.
Portia stands with hands at her sides, a muscle in her jaw working to keep her face even despite the moisture already glinting in her eyes. Peeta, in his last moment outside the arena, touches his fingertips to the soundproof glass of the tube. In a fit of sentimentality, Portia touches her own fingertips to her lips and sends the kiss his way.
With three fingers.
Peeta has exactly enough time to see the color drain from his reflection’s face before he begins to rise.
Between the dressing room and the pedestal, there’s a brief moment of utter blackness. Peeta has, both times he has been a tribute, resolved never to close his eyes going into the arena. But that moment of blackness comes, when the only light is that being blocked by the platform he’s standing on, and the next time he sees light, he’s not standing on a pedestal, but lying down on a cold floor without knowing he ever went horizontal.
It takes him a moment to get his bearings. Did I pass out? he asks the ceiling. The ceiling does not give any clues. Peeta sits up, and wonders for a moment if he is inside the Cornucopia, dragged there for his own safety after being clocked on the head during the bloodbath. But if that were the case, whoever cared so much for his life wouldn’t have left him. Not unless they were already dead. And shouldn't he have an enormous headache? Besides, there’s a door, and the Cornucopia doesn’t have a door. It’s also, well, cornucopia-shaped, whereas this building is as rectangular as they come. Still, maybe it’s different this year. The weapons hanging on the walls would certainly indicate a temporary residence in the Cornucopia.
His old instincts take over and urge him to make haste. First goal: arm yourself. Second goal: find Katniss. He doesn’t note his half-nakedness until he tries strapping a knife to his belt. One of the other tributes must have stolen his clothes while he was out. Smart. He carefully examines the knife, keeping one eye on not only the door, but the shadows of the room. Anything could come out of those.
The knives look normal. He sniffs, making sure there’s no toxin on them that can absorb through the skin. Quickly, he chooses one, unsheathes it, and slowly approaches the door. When he cracks it open, he sees cobblestone streets being walked by people.
People. Streets.
The Gamemakers are sick. Setting the Quarter Quell in a town, with innocents being caught in the crossfire. Is this a way to create obstacles for the tributes who care about sparing lives? The Careers will take advantage of that.
As one person walks by, Peeta glimpses something that makes his eyes go wide. Wings. Another weird Capitol fashion, maybe, except that everyone has these things. Some of the people outside don’t even look like people.
Mutts. All of them mutts, maybe made to look like terrifying monsters, maybe made to look like someone you love. And there are lots of them. He can’t possibly fight his way past that many, not when he’s as exposed as he is. He has to wait till this street is clear, then sneak out and find Katniss—if she’s still alive. He ducks behind the door, eyes squeezed shut, trying to breathe slowly and quietly in spite of his hammering heart.
The person passes. Everyone else seems to linger in the distance. Peeta slips out, knife in hand. The moment the door is closed and he starts in the opposite direction of the crowd, he nearly runs right into the arms of a thin French woman.
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She's not as aware as she ought to be- honestly her recently departed instructor would snap at her for it. Introspective musings are no excuse not to notice the young man ducking out of the door. She snaps into awareness, book and one hand falling to her side, the other one instinctively snapping up and out to brace against the young man's- the New Feather's, shoulder. To hold him back.
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She's aware of every moment it takes for the blade to meet her shirt, every nerve carved throbbing and ragged in it's wake. Muscles lock up. She blinks. The cut's over and she's staggering back, hand pressed against the line of blood blooming across her chest.
"Merde!"
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Is Katniss alive?
How much time has he lost already?
He jogs backwards, then ducks around the corner of the building at a dead sprint.
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"Hey, buddy, wake up. We've got to go."
Moments later, they're airborne, flying quick as lightning towards the barracks. Please don't be too late, please don't be too late...
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Cyclical and pointless at the moment, though she does try in earnest to bunch up the rest of her shirt against the wound. Pressing hurt. So did breathing. Standing was becoming terribly difficult- so she didn't feel the need to continue. Adele slumps against the wall of the barracks, slides down and tries to keep breathing. Wait it out. Because she can't bandage this on her own or even begin to focus enough to contact Nala. Not that she could handle anything more than a bruise with that spirit as it was.
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Oh gods. He was not prepared for something like this.
He dismounts and rushes to her side. "H-hello? Can you hear me? I'm here to r-rescue you."
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"I need. To get to the clinic."
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But, her wound...
"C-can you stay awake until we get there? Do I--stop the bleeding first?" Gods, why didn't he think about learning this sooner? Then again, he hadn't expected to be dealing with anything on a scale like this. This was life or--
No. He can't think like that. Breathe, Hiccup. Life, focus on life.
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"Pull off the shirt. Wrap it around. Tie the sleeves over the cut. Then-" Then. Then they would have to fly, and she can't spare a thought for the inevitable panic that is going to cause her.
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He's in way over his head, why did he think he could do this, he's--
Breathe. She knows what to do. Luckily. And so he numbly obeys as Toothless stands by, ready to fly at a moment's notice. He carefully eases the shirt over her shoulders and arms, luckily not struck by how awkward that might seem later. Tie the sleeves over the cut.
So he does. He pulls the free shirt around her, hand surprisingly steady. And then he pulls it tight, tying the sleeves. Gently, but firmly.
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Teeth grit, swearing a low line of vicious French under her breath she tries to stand. Manages to get to her knees, at least. "I need-"
Help. Walking. To a dragon. To fly.
This was going to be the worst thing. Easily. She's not even on the dragon yet and that throbbing anxiety is kicking up, making her skin feel too tight, her breath come in short gasps, her vision begin to tunnel. Fuck.
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He's fast, but careful. A smith's hands come in handy sometimes.
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None of it works.
She's honestly not that surprised. Maybe she'll be lucky and black out.
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And that's all he really has to say on the matter. Finishes buckling the harness, leaning down and patting Toothless on the neck.
"Gently," he murmurs, and Toothless takes off into the air, smoothly and swiftly.
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None of that clicks or centers, though she is too pained to curl in on herself she's a tense, wretched mess for the entirety of the flight. Her breath comes in spurts, cycles of shallow panting, deep gasped sobs, strung out between low oaths and an endless mantra of 'get me down' from between grit teeth.
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"I'm going to bring us down now. Well be there in just--just a moment."
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"Thankgod."
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It was going to be okay.
"Alright--a-almost there. Just a bit further..." He slides underneath her arm again to help her off Toothless' back and towards the doors of the clinic.
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But she's bleeding. And laying down to die was never an option for any LeBlanc, especially not this one. So she stumbles, swears under her breath, and tries to focus on the fact that she's on solid ground.
It doesn't help.
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John is heading toward the door when it opens to a boy and a woman trying to fit through at the same time. By the way she's leaning on him and clutching at herself, it's more than clear she's injured. With her head bowed, there's no recognizing her yet beyond 'blonde', 'woman', and 'bleeding chest wound'. Well, today just got a lot more interesting.
The former soldier starts forward, pulse quickening with his step. It's not a far distance to cross before he's reaching for her and turning his head slightly toward Hiccup.
"Let me have her. I've got her. What happened?" And to Adele, "I'm going to pick you up, alright?"
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Probably better to do so when she's not bleeding from a cut across her chest.
Adele huffs out a pained, slightly hysterical laugh but nods all the same. Beggars could not be choosers. Once she can manage a semblance of coherency she speaks.
"New Feather with a knife."
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But he puts off thinking about it for the moment.
"Sh-she sent out a--distress call. Over the journals. I-I responded."
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