Peeta Mellark (
victorbychance) wrote in
lucetilogs2012-05-03 06:58 pm
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I've cost you a lot of trouble.
Who: Peeta Mellark, Adele LeBlanc, Hiccup Haddock, Sabriel, Helios Sprensonne, Katniss Everdeen, and probably Rue.
What: Peeta arrives in Luceti and gives everyone the wrong impression.
When: Evening of May 3rd.
Where: The Barracks and around it.
Summary: A second ago, Peeta was entering the arena. Now, he believes he's there already.
Rating: Let's say R for violence. Blood does make it an R-rating automatically, right? Won't be too bad, though. More like PG-13. Or something. There's a reason I don't do this professionally. More than one reason.
Portia stands with hands at her sides, a muscle in her jaw working to keep her face even despite the moisture already glinting in her eyes. Peeta, in his last moment outside the arena, touches his fingertips to the soundproof glass of the tube. In a fit of sentimentality, Portia touches her own fingertips to her lips and sends the kiss his way.
With three fingers.
Peeta has exactly enough time to see the color drain from his reflection’s face before he begins to rise.
Between the dressing room and the pedestal, there’s a brief moment of utter blackness. Peeta has, both times he has been a tribute, resolved never to close his eyes going into the arena. But that moment of blackness comes, when the only light is that being blocked by the platform he’s standing on, and the next time he sees light, he’s not standing on a pedestal, but lying down on a cold floor without knowing he ever went horizontal.
It takes him a moment to get his bearings. Did I pass out? he asks the ceiling. The ceiling does not give any clues. Peeta sits up, and wonders for a moment if he is inside the Cornucopia, dragged there for his own safety after being clocked on the head during the bloodbath. But if that were the case, whoever cared so much for his life wouldn’t have left him. Not unless they were already dead. And shouldn't he have an enormous headache? Besides, there’s a door, and the Cornucopia doesn’t have a door. It’s also, well, cornucopia-shaped, whereas this building is as rectangular as they come. Still, maybe it’s different this year. The weapons hanging on the walls would certainly indicate a temporary residence in the Cornucopia.
His old instincts take over and urge him to make haste. First goal: arm yourself. Second goal: find Katniss. He doesn’t note his half-nakedness until he tries strapping a knife to his belt. One of the other tributes must have stolen his clothes while he was out. Smart. He carefully examines the knife, keeping one eye on not only the door, but the shadows of the room. Anything could come out of those.
The knives look normal. He sniffs, making sure there’s no toxin on them that can absorb through the skin. Quickly, he chooses one, unsheathes it, and slowly approaches the door. When he cracks it open, he sees cobblestone streets being walked by people.
People. Streets.
The Gamemakers are sick. Setting the Quarter Quell in a town, with innocents being caught in the crossfire. Is this a way to create obstacles for the tributes who care about sparing lives? The Careers will take advantage of that.
As one person walks by, Peeta glimpses something that makes his eyes go wide. Wings. Another weird Capitol fashion, maybe, except that everyone has these things. Some of the people outside don’t even look like people.
Mutts. All of them mutts, maybe made to look like terrifying monsters, maybe made to look like someone you love. And there are lots of them. He can’t possibly fight his way past that many, not when he’s as exposed as he is. He has to wait till this street is clear, then sneak out and find Katniss—if she’s still alive. He ducks behind the door, eyes squeezed shut, trying to breathe slowly and quietly in spite of his hammering heart.
The person passes. Everyone else seems to linger in the distance. Peeta slips out, knife in hand. The moment the door is closed and he starts in the opposite direction of the crowd, he nearly runs right into the arms of a thin French woman.
What: Peeta arrives in Luceti and gives everyone the wrong impression.
When: Evening of May 3rd.
Where: The Barracks and around it.
Summary: A second ago, Peeta was entering the arena. Now, he believes he's there already.
Rating: Let's say R for violence. Blood does make it an R-rating automatically, right? Won't be too bad, though. More like PG-13. Or something. There's a reason I don't do this professionally. More than one reason.
Portia stands with hands at her sides, a muscle in her jaw working to keep her face even despite the moisture already glinting in her eyes. Peeta, in his last moment outside the arena, touches his fingertips to the soundproof glass of the tube. In a fit of sentimentality, Portia touches her own fingertips to her lips and sends the kiss his way.
With three fingers.
Peeta has exactly enough time to see the color drain from his reflection’s face before he begins to rise.
Between the dressing room and the pedestal, there’s a brief moment of utter blackness. Peeta has, both times he has been a tribute, resolved never to close his eyes going into the arena. But that moment of blackness comes, when the only light is that being blocked by the platform he’s standing on, and the next time he sees light, he’s not standing on a pedestal, but lying down on a cold floor without knowing he ever went horizontal.
It takes him a moment to get his bearings. Did I pass out? he asks the ceiling. The ceiling does not give any clues. Peeta sits up, and wonders for a moment if he is inside the Cornucopia, dragged there for his own safety after being clocked on the head during the bloodbath. But if that were the case, whoever cared so much for his life wouldn’t have left him. Not unless they were already dead. And shouldn't he have an enormous headache? Besides, there’s a door, and the Cornucopia doesn’t have a door. It’s also, well, cornucopia-shaped, whereas this building is as rectangular as they come. Still, maybe it’s different this year. The weapons hanging on the walls would certainly indicate a temporary residence in the Cornucopia.
His old instincts take over and urge him to make haste. First goal: arm yourself. Second goal: find Katniss. He doesn’t note his half-nakedness until he tries strapping a knife to his belt. One of the other tributes must have stolen his clothes while he was out. Smart. He carefully examines the knife, keeping one eye on not only the door, but the shadows of the room. Anything could come out of those.
The knives look normal. He sniffs, making sure there’s no toxin on them that can absorb through the skin. Quickly, he chooses one, unsheathes it, and slowly approaches the door. When he cracks it open, he sees cobblestone streets being walked by people.
People. Streets.
The Gamemakers are sick. Setting the Quarter Quell in a town, with innocents being caught in the crossfire. Is this a way to create obstacles for the tributes who care about sparing lives? The Careers will take advantage of that.
As one person walks by, Peeta glimpses something that makes his eyes go wide. Wings. Another weird Capitol fashion, maybe, except that everyone has these things. Some of the people outside don’t even look like people.
Mutts. All of them mutts, maybe made to look like terrifying monsters, maybe made to look like someone you love. And there are lots of them. He can’t possibly fight his way past that many, not when he’s as exposed as he is. He has to wait till this street is clear, then sneak out and find Katniss—if she’s still alive. He ducks behind the door, eyes squeezed shut, trying to breathe slowly and quietly in spite of his hammering heart.
The person passes. Everyone else seems to linger in the distance. Peeta slips out, knife in hand. The moment the door is closed and he starts in the opposite direction of the crowd, he nearly runs right into the arms of a thin French woman.
no subject
He thinks she's talking about that night for a second. New Feather with a knife - wings and flesh tattered up by the cruel edge of broken glass. John is rigid.
Hiccup's voice cues him to move before John actually understands what is being said.
"Alright. Come on."
He strides down the hall, carrying the woman along in his arms. He can't afford to stop and chat when he's got work to be done.
"You did the right thing. Go and get me one of the nurses, will you?"
Stop the bleeding - that's first in line. Get rid of the negative space in the wound bed.
no subject
Even warned, she's tense at the grip- an unfamiliar man with unfamiliar intentions, alliances, but she does not have time to speak or flinch away before she's swung up into his arms. The moment he recognizes her isn't that hard to pick out- for a moment she feels as though he's about to drop her. Considering how they met? She wouldn't blame him.
Actually she would. For a long, long while. But that's beside the point- he's moving and she's trying to keep the shirt bunched up against the cut in place to staunch the flow of blood. It's as successful as it had been earlier- which is to say. Not terribly successful at all.
"Merde."
no subject
And he's off looking for a nurse without another word. And without looking back. Listening to her pained sounds wrecked his nerves enough.
no subject
Left alone with Adele, John pushed his way into one of the trauma rooms and laid the woman on the singular table within it.
"Take off your shirt and bra, please, and lie back." He directed, twisting on the nearby sink to soak his hands before he pulled off his jacket and rolled up his sleeves. After he was up to his elbows in antibiotics, he pulled on a set of gloves and pulled over the wheeled supply drawer itself. There was a drape for modesty (in fact, one of the reasons he sent the young boy along) as one of the things first out, along with gauze and surgical wipes. If she hadn't done away with entirely, John would be getting rid of that shirt and trying to quickly work at wiping away the blood to see the wound he was dealing with.
"You're going to be alright," He told her, because having her panic all over his operating table was not something he wanted to deal with. "Never did catch your name."
no subject
It's awkward, tense, and painful, peeling away the makeshift bandage and tugging at her undershirt. Cotton made thick and sticky with blood, swollen from it, catching here and there against the skin around the edge of the cut where it was pressed tight from the knot; it comes off in time. The plain lace bra below is ruined. The one day she wears nice undergarments and she bleeds all over it. Just her luck, really. Fortunate, however, that the catch is in the front. Shrugging out of it isn't difficult, and she's red from the cut to her abdomen in a long smear, thicker lines where the fabric caught and held for the duration of the ride.
Breathing comes easy now. The blind panic is receding bit by bit. Being inside, somewhere she's more comfortable, somewhere she knows she cannot fall helps. More than she knew. After this she just might have to vomit, though. Definitely will have to vomit. Just. After she's not bleeding anymore. "Adele. Adele LeBlanc."
A thick swallow. Best get this out of the way quickly. "I am. Sorry for twisting your friend's wing."
no subject
She's become an open wound and a voice until she mentions the incident from earlier. John doesn't look up from the gash in her chest -gauging the depth of the cut- or miss a beat in unraveling a packaged roll of gauze, but his brows may have jumped a little. He expected some comment about it; not so soon, perhaps, but sometime.
"You did what you thought was right, Adele. Didn't blame you then and I don't now," His response is quick, as is another swipe of the cloth to take away the welling blood in the cut. Without further delay, he begins packing the gauze into the opening, tight and precise. He's dealt with far worse - likely she has too. "You picked wrong, but I think your intentions were in the right place. Just so it's sorted - I'm going to do the best I can for you. Looking at it now, your clavicles and ribs took most of the damage. I'm going to administer a local anesthetic and stitch you up after some of the bleeding has slowed a bit. Are you allergic to any medications?"
no subject
...
It'd just be easier to remember if it didn't sting quite so much. Mentally she gauges her level of discomfort on a scale of strange vascular throbbing to flaming ground glass under her fingernails. This comes up roughly around a live wire shoved in her ear. So. It stings. Like a bitch. Enough that speaking is not her first priority, but some things needed to be said, questions asked, answered, etc. So she forces the words through tightly grit teeth.
"Some elaboration on exactly how much I apparently fucked up-" She cuts herself off with a hiss, watching him pack the wound. "...I forgot how much that itches."
More than an itch, it's supremely uncomfortable. Better than bleeding out, however. She swallows past another low, terribly virulent string of obscenities to continue her earlier thought. "Would be pleasant. Especially if you could manage something beyond 'you chose wrong so you are an idiot'. I got that enough during the divorce."
A beat.
"None that we have in this clinic."
no subject
"I assumed you'd rather not have that talk right about now," Turning his head away a moment, he opens a drawer and removes a syringe made just for the occasion. "Actually, I'd rather not talk about it right now, if you don't mind. Let's just say you're not the first person to make the mistake and leave it at that. Bit of a pinch coming up. Stay with me."
Here comes the aeroplane, Adele. Luckily, it's going to be the injection that burns the worst, and not so much the dip of the needle.
no subject
Not the first? Lovely. It makes her lock up all the more in the back of her mind. On the one hand, remain uninvolved. Distance herself. On the other- poke at it. Because that turned out so well with Unger. "I've taken a bullet to the knee- a pinch won't bother me overmuch."
Calmer now. Breathing steady. Pulse leveling out. Having someone and something to be caustic to and about helps- even if there's the slightest flinch at the initial injection.
no subject
"Before you came to Luceti or after, if I might ask?"
no subject
"I know I made a shit first impression- but I haven't provoked anyone to violence in the enclosure. Before tonight, at least."
no subject
No, the real concern here was the level of violence one might expect to come across on a daily basis. Adele... sort of answered it for him.
"Yes - what did happen?" Excellent choice for change of subject, Miss LeBlanc.
no subject
"I called for help- he bolted. I'm fairly certain he's a New Feather." That or someone finally had a psychotic break. The former was far more likely.
no subject
He reached up, lightly tapping the skin near the cut. "Can you feel that?"
no subject
Adele blinks down at the cut, watching him tap and feeling nothing. "...that is always so strange. But no."
no subject
There's a reluctant little tug at his lips. "Biochemistry is neat," He allows. "I'm going to start the first suture. You might not want to watch."
He pulled away long enough to tie a surgeon's knot to the end of the strand, then got up to wheel the suctioning tool over. If one could afford to have those tools, one might as well put them to use.
Stitching a wound shut, one had to connect live tissue by layers. The depth of the cut suggested he had three layers to do.
no subject
All the same she lets her head loll back against the pillows, letting him work without scrutiny. She knows well enough that were she treating a physician she wouldn't want them bothering her while she works.
no subject
John does want to concentrate - she's absolutely right. And when he's moving aside the gauze and stitching up the wound, he's silent, focusing on doing the work as quickly and cleanly as possible while occasionally having to suction blood out of the way.
He does speak, however, when the first line of stitches is done and tied off, because he has to clean the affected area again and apply another treatment against infection.
"Is it Miss or Doctor? Just a surgeon is a 'Miss' in England." And you said you were divorced, so he assumes it's not Missus.
no subject
The quiet is familiar, as is his focus, enough for her to start to drift in her own thoughts before he speaks up again. "Mm?"
A beat. "Doctor, really. I worked just as hard as my contemporaries to earn that much."